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简介
作为江苏卫视幸福节目带中周末档的后起之秀，全新益智答题类节目《一站到底》从2012年3月2日起，每周四晚22点在江苏卫视播出，这档节目打破以往答题类节目的固定模式，每档节目中有各种年龄层次，不同身份，各异性格的10位守擂者和1位攻擂者参加，以PK的方式获得别人手中的奖品，一旦失败，就掉下擂台，能否“一站到底”，成为节目中最大悬念。
评论
为什么在(🔹)《秘语十七小(🔑)时》中(📍)微妙的关系(🖋)描绘和《郎(🔝)在对门(🐽)唱山歌》中(🎵)的跟随(👛)长镜在此(👔)完全失效了呢？(🥨)我觉得其一，人物(👚)的活动范围没有(📩)边界。章明的人物(👮)关系展开比较接(🛀)近于荒诞派(🍫)戏剧(🏇)，为了让人物(🤦)充分对撞(🛵)，必定要(😋)设定一个(🖤)边界，如(👐)《巫山云雨(🕟)》中的瞭望站，《秘语(🥛)》中的峡谷。其二，景(🔝)深调度与视点镜(📭)头过分强调“观察(💯)”，而失却了在(🍗)同一(👺)场景中发展(🌷)多人(♎)关系的可能(🌩)性，即无法(🙅)通过某(😨)人物的视(💹)点去嘲讽他人，嘲(👀)讽是属于导演的(🚗)。视点转换也过于(🥛)频繁。其三，麦高芬(💧)《黑暗传》过于模糊(🌶)，它可以是葬(💙)礼真(🎀)唱，也可以是(😼)请人演唱(🦃)，甚至还(🥤)有很多变(🕺)体。所以(🚄)最后《黑暗(💶)传》出现的时候只(😧)是背景音乐和字(🗺)幕而已，因为它的(♟)场面无法唤起回(🔑)归感。纵向运(🐧)动是(⚽)一个阳性的(🏆)运动(🚑)，所以当后段(🀄)镜头行进(😪)时，丁的(💴)角色几乎(😠)消失了。最后一镜(🌠)纵向镜头借王的(🌥)视角转侧向，最后(💖)停住，或许是变化(🕳)的开始
可能是和(👕)尧大(🍔)最配(🌃)的女主
没(👐)法形容(✂)的烂
"片子很美，要(🏐)是(🥠)换个女主角就好(🐤)了，花絮拍的也好(🚹)，出现很美的片场(🎺)照(🐝)片"
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